Written Words Will Speak
Volume 1, No. 18
I am some what old fashion in that I love sending and receiving cards and letters. Although I am not a fan of texting back and forth more than three times before I say call me. There is power in the written word. From personal letters and emails to books and blogs, writing facilitates a deeper connection. It is why books are always better than the book. Writing fosters understanding, empathy, and engagement across diverse communities. Whether in the form of literature, journalism, or personal correspondence, writing transcends the limitations of spoken language, offering permanence and clarity. It enables us to document history, advocate for change, and share knowledge in ways that can shape public opinion, policy, and personal beliefs. What you and I write doesn’t have to be published to the world. It can be handed down in your family. We need to stop recreating the wheel. We need to go from making the wheel better to something better than the wheel.
WISDOM OF THE WEEK
“I didn't learn to be quiet when I had an opinion. The reason they knew who I was is because I told them.”
— Ursula Burns
I tend not to speak unless I am really passionate or curious about something. I realize that my silence also speaks for me. I need to talk or ask questions without having to be over the top about something. It may lead to more or ignite a passion.
CULTURAL CORNER - AFRICAN AMERICAN WOMEN COMPOSERS
In celebrating the rich tapestry of music history, it's essential to highlight the contributions of Black women composers from various genres, many of whom have left an indelible mark on the musical landscape.
Florence Price holds a historic place as the first Black woman to have a symphony performed by a major American orchestra. Her Symphony in E minor premiered in 1933 with the Chicago Symphony Orchestra, breaking significant barriers. Despite facing considerable obstacles, Price composed over 300 works, including symphonies, concertos, choral works, and songs, showcasing her extraordinary talent and resilience.
Mary Lou Williams was a pioneering jazz pianist, composer, and arranger who wrote and arranged for legendary big bands, including those of Duke Ellington and Benny Goodman. Later in her career, Williams turned to sacred music, composing works such as "Black Christ of the Andes," which brilliantly fused jazz, gospel, and classical music.
Sylvia Moy was one of the first female songwriters at Motown Records. She co-wrote many hits for Stevie Wonder, including "Uptight (Everything's Alright)," "My Cherie Amour," and "I Was Made to Love Her."
Dorothy Norwood, known as the "World's Greatest Gospel Storyteller," began her career as a member of The Caravans, one of the most influential gospel groups of all time. Norwood has written and recorded many gospel hits, including "Victory Is Mine," "Somebody Prayed for Me," and "Shake the Devil Off." Her storytelling ability and powerful voice have made her a beloved figure in gospel music.
Valerie Simpson is best known for her songwriting and performing partnership with Nickolas Ashford. The duo, Ashford & Simpson, became one of the most successful and influential songwriting teams in the music industry. They were inducted into the Songwriters Hall of Fame in 2002. Their songs have been covered and performed by numerous artists, showcasing the timeless quality of their work. Some of their most famous compositions include:
"Ain't No Mountain High Enough" (originally performed by Marvin Gaye and Tammi Terrell, later a hit for Diana Ross)
"Ain't Nothing Like the Real Thing" (Marvin Gaye and Tammi Terrell)
"You're All I Need to Get By" (Marvin Gaye and Tammi Terrell)
"I'm Every Woman" (Chaka Khan, later covered by Whitney Houston)
"Reach Out and Touch (Somebody's Hand)" (Diana Ross)
These composers have profoundly impacted the world of music, often overcoming substantial barriers to achieve recognition. Their legacies continue to inspire and influence musicians across genres, reminding us of the rich and diverse history of Black women in music.
I hope you have enjoyed this month’s cultural corner’s focus on African American Music Month. Please share the one you enjoyed the most with the women in your community.
The African American Music Appreciation Challenge Series:
Week #4: Who was your favorite black woman in music that was shared this month?
Leave a comment below. I am interested in your choice.
If you are interested in trying out Audible, click on the link for a 30 day free trial.
Until next time.....remember your voice and stories matters!
